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He was a famous singer who acted alongside Bal Gandharva (not in Bhavbandhan). This song is sung by a singer named Gangadhar Londhe. This marriage between a man in his 60s and a girl, who is in her teenage years, does not sit well with anyone, so Latika’s boyfriend, Prabhakar, says: Jaratha Bala, Yog Asa? In Bhavbandhan, Dhundiraj reveals that his daughter, Malati, will be married to Maheshwar, the father of Malati’s friend, Latika. This is the original recording of the song by Bal Gandharva. When Sudhakar asks Sindhu to leave the house and leave him along, Sindhu asks how he can leave the place where her “heaven is”: Kashi Ya Tyaju Padala. Despite Sudhakar’s alcoholism, Sindhu does not leave Sudhakar. This song portrays how committed Sindhu is to her husband, Sudhakar. Kashi Ya Tyaju Padala is a very famous song, by Bai Sundarabai. Sangeet Ekach Pyala: Kashi Ya Tyaju Padala by Bal Gandharva I invite all of you to join me as we listen to many different recordings from Seeta Swayamvar all the way to today, Devbabhali and Shankara. To begin, let’s listen to two different songs: one from Ekach Pyala and one from Bhavbandhan. My series on the musical aspect of Sangeet Natak will focus on the evolution of Sangeet Natak music, and it will be called “Let’s Listen”. To celebrate this momentous occasion, I will be writing a collection of different pieces about Ekach Pyala, Bhavbandhan and Sangeet Natak music in general. Any Marathi speaker knows these songs: Kathin Kathin Kathin Kiti, Prabhu Aji Gamala or Kashi Ya Tyaju Padala, all from this musical. Both plays are extremely well written, with amazing music.
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Life in the theatre without the humble batata-wada or the cutting chai.This year, both Bhavbandhan and Ekach Pyala will be turning 100. SANGEET DEVBABHALI! You have to see it to believe it! Actor - Dilip Prabhawalkar, Paresh Rawal.Ī significant Indian production that you may have witnessed. Was unfortunate to never get to work with Pravin Joshi. Director - Shailesh Dave, Naushil Mehta, Kanti Madia. Your favourite director/actor/music or set designer. Indian theatre will take aeons to reach that level PHANTOM OF THE OPERA and MISS SAIGON - after watching those two productions I was speechless, and I had to perform my Gujarati play in a school hall. Too many to count - it will 40 years of my journey this year!Ĭan you think of a foreign production that you found remarkable? Why? I consider only Gujarati and Marathi plays to be theatre as they include every type of theatre-be it art or commercial or experimentalĬan you recall an event that was insightful, significant or simply humorous during your theatre journey? How do you regard the Mumbai/Indian theatre scene? SHRUNGARKAND, a two-character play, performed by Paresh Rawal and myself, based on Last Tango in ParisĪ play character you would like to "dialogue" with.īoth the characters in the play SANGEET DEVBABHALIĪ passage from an important play that you can recite.Ī play that changed your perception about the theatre. HASVA PHASVI in Marathi and KISMIS, the Gujarati adaptation of NOISES OFF. Why?Ī novel/short story you would like to see on stage? Why?
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My character in the play U TURN, and every comedy role that I have done in Gujarati theatre.Ī play you would like to see filmed. Shailesh Dave and Aatish Kapadia in Gujarati theatre SANGEET DEVBABHALI, because it was a play with live singing and music, such incredible performances and such a beautiful script after a long timeīhaidas, which is unfortunately now shut, and Tejpal Which is the last play you liked and why?